BOOKS

2012
An anthology of German-Jewish organ music. Middleton, WI: A-R Editions, forthcoming.

2009
The organ and its music in German-Jewish culture. New York: Oxford University Press.

2005
Orgeln und Orgelmusik in deutsch-jüdischer Kultur [Organs and organ music in German-Jewish culture]. (Netiva: Wege deutsch-jüdischer Geschichte und Kultur, 6) Hildesheim: Georg Olms Verlag, 2005.


SELECTED JOURNAL PUBLICATIONS

2011
"Music and politics after the Holocaust: Menuhin's Berlin concerts of 1947 and their aftermath." Arbor forthcoming.

2009
"Raqs Gothique: Decolonizing belly dance." TDR: The Drama Review 53:3 (T203): 117–138.

2005
"Schubert and the draisine: An odd couple in the Archiv des menschlichen Unsinns." Music in Art: International Journal for Music Iconography XXX/1–2: 117–119.

2004
"Where musical realms meet: Hermann Zivi— The archetype of German-Jewish cantorate." Musica Judaica XVII: 87–105.

2001
"Louis Lewandowski's Five festival preludes, op. 37 for organ: Compositions in the field of tension between Jewish and Christian tradition. III." Journal of Jewish Music and Liturgy XXIII: 25–43.

"Amerikanische Tradition und 'jüdische Klangvorstellung': Die Orgel im Tempel Emanuel New York" [American organ building and the Jewish concept of sound: The organ at the Temple Emanu-El]. Orgel International III/2: 136–140.


SELECTED BOOK CONTRIBUTIONS

2011
"Beyond the binary: Remapping Jewish-liturgical music in a borderland." Zdravko Blažekovic, ed: Series of the Barry S. Brook Center for Music Research and Documentation, forthcoming.

2006
"Music and literature in the philosophical imagination: Friedrich Nietzsche's Human All Too Human." In Phrase and Subject: Studies in Music and Literature (Legenda, European Humanities Research Centre 2005), edited by Robert Samuels and Delia da Sousa Correa. Oxbow Books: Oxford, 62–83.

2005

"'Identity in Crisis': Nationale und kulturelle Entitäten in den Orgelkompositionen Jaromír Weinbergers" ['Identity in Crisis': National and cultural entities in Jaromír Weinberger's organ compositions]. In Die böhmischen Länder als Orgellandschaft (Editio Bärenreiter Praha, 5), edited by Torsten Fuchs. Prague: Bärenreiter, 88–97.

2004
"Traditionell und modern zugleich: Die Popularisierung jüdisch-liturgischer Musik als Erinnerungsstrategie" [Traditional and yet modern: The popularization of Jewish-liturgical music as strategy for memory]. In Populäre Konstruktionen von Erinnerung im deutschen Judentum und nach der Emigration, edited by Joachim Jacob and Hotam Yotam. Göttingen: Vandenhoeck & Ruprecht, 83–100.

"Jewish liturgical music in Vienna: A mirror of cultural diversity." In Vienna: Jews and the city of music 18701938, edited by Leon Botstein and Werner Hanak. Annandale-on-Hudson, NY: Bard College, 77–91.

2002
"'Religion und Kunst': Der Elberfelder Kantor Hermann Zivi" [Religion and art: Cantor Hermann Zivi of Elberfeld]. In Dies soll ein Haus des Gebets sein für alle Völker: Festschrift zur Einweihung der neuen Bergischen Synagoge in Wuppertal, edited by Freundeskreis neue Synagoge. Wuppertal: Eigenverlag, 58–66.

2001
"Kunst zwischen zwei Kulturen: 'Orgelangelegenheiten' an der Neuen Synagoge zu Berlin" [Art between two Cultures: 'Organ matters' at the New Synagogue in Berlin]. In Neuer Anbruch: Zur deutsch-jüdischen Geschichte und Kultur (minima judaica, 1), edited by Michael Brocke, Aubrey Pomerance, Andrea Schatz. Berlin: Metropol, 293–311.

"The destruction of a cultural tradition in Germany: Organs and organ music in the synagogue." In Remembering for the Future: The Holocaust in an Age of Genocide. I: History, edited by John K. Roth and Elisabeth Maxwell. London: Palgrave, 410–421.