BOOKS/MONOGRAPHS/EDITIONS

2021
Transcending Dystopia: Music, Mobility, and the German-Jewish Community, 1945–1989. New York: Oxford University Press.

2020
Postmodernity's Musical Pasts. Woodbridge, UK: Boydell Press.

2018
Experiencing Jewish Music in America: A Listener's Companion. Lanham, MD: Rowman & Littlefield.

2017
Werner Sander, "To Finally Fortify Peace": A Vital Exponent of Jewish Music in the GDR / Werner Sander, "den Frieden endgültig zu festigen": Ein grosser Vertreter der jüdischen Musik in der DDR. Teetz: Hentrich & Hentrich.

Orgeln und Orgelmusik in deutsch-jüdischer Kultur, Netiva: Wege deutsch-jüdischer Geschichte und Kultur 6. Hildesheim: Georg Olms Verlag. [2nd revised edition]

2016
Referencing Music in the Twenty-first Century: Encyclopedias of the Past, Present, and Future. Fontes Artis Musicae LXIII/3 (July–September 2016).

2014
Dislocated Memories: Jews, Music, and Postwar German Culture, edited with Lily Hirsch. New York: Oxford University Press.

2013
German-Jewish Organ Music: An Anthology of Works from the 1820s to the 1960s. Middleton, WI: A-R Editions.

Hans Samuel: Selected Piano Works. Middleton, WI: A-R Editions.

2012
Salomon Sulzer: Reformer, Cantor, Icon / Salomon Sulzer: Reformer, Kantor, Kultfigur. Berlin: Hentrich & Hentrich.

2009
The Organ and Its Music in German-Jewish Culture. New York: Oxford University Press.

2005
Orgeln und Orgelmusik in deutsch-jüdischer Kultur, Netiva: Wege deutsch-jüdischer Geschichte und Kultur 6. Hildesheim: Georg Olms Verlag.

SELECTED RECENT JOURNAL PUBLICATIONS AND BOOK CONTRIBUTIONS

2020
"Stereotypes and Jewish Musical Topics in East German Film: Ambiguities and Allosemitism in Hotel Polan und seine Gäste." Leo Baeck Institute Yearbook 65, no. 1: 153–85.

"Songs of Exile: Mario Castelnuovo-Tedesco (1895–1968) and The Divan of Moses-Ibn-Ezra." In Exile and Creativity, edited by Alessandro Cassin. New York: CPL EDITIONS, 50–81.

2019
"Jüdische Musikforschung in den Akten der Stasi – Möglichkeiten und Grenzen der Recherche." Forum Musikbibliothek 40, no. 1: 18–23.

2018
"Jewish Vestiges on the Banks of the Danube: Synagogue Music in 'Pannonia'." In Music Cultures in Sounds, Words and Images: Essays in Honor of Zdravko Blazekovic, edited by Antonio Baldassarre and Tatjana Markovic. Vienna: Hollitzer Verlag, 277–311.

2016
"Ein Instrument und seine Folgen: Die Orgel in der deutsch-jüdischen Kultur." In Jüdischer Almanach Musik, edited by Gisela Dachs. Berlin: Jüdischer Verlag im Suhrkamp Verlag, 64–80.

"Belly Dance Goes Goth: Distortions, Layers, Overlaps." In Schichten, Geschichte, System: Geologische Metaphern und Denkformen in den Kunstwissenschaften, edited by Hanns-Werner Heister. Berlin: Weidler, 55–75.

2015
"Reform of Synagogue Music in the Nineteenth Century." In Cambridge Companion to Jewish Music, edited by Joshua Walden. Cambridge: Cambridge University Press, 187–200.

"After the Holocaust: Jewish Music and the Canon in German Intellectual History." In Partituren der Erinnerung: Der Holocaust in der Musik, edited by the Wiener Wiesenthal Institut für Holocaust Studien. Vienna: new academic press, 12–40.

2013
"Five Days in Berlin: The 'Menuhin Affair' of 1947 – A Chapter in the History of Postwar Germany." Musical Quarterly 96, no. 1: 14–49.

2009
"Raqs Gothique: Decolonizing Belly Dance." TDR: The Drama Review 53:3 (T203): 117–138.